EDDA STROBL

EDDA STROBL . <![CDATA[2023_wlb_symptome_postkarte.indd]]> image-id:221 <![CDATA[2021_wlb_leben_postkarte]]> image-id:220 <![CDATA[2025_defin_ausst_04]]> image-id:219 <![CDATA[2025_defin_ausst_05]]> image-id:218 <![CDATA[2025_defin_ausst_01]]> image-id:217 <![CDATA[2025_defin_ausst_03]]> image-id:216 <![CDATA[2025_defin_ausst_06]]> image-id:215 <![CDATA[2025_defin_ausst_07]]> image-id:214 <![CDATA[2025_defin_ausst_02]]> image-id:213 <![CDATA[oelpumpe]]> image-id:209 <![CDATA[shift]]> image-id:208 <![CDATA[powerplant]]> image-id:207 <![CDATA[firehorse]]> image-id:206 <![CDATA[2020_IGS_PLAKAT_draussen]]> image-id:205 <![CDATA[2020_IGS_PLAKAT]]> image-id:204 <![CDATA["Hase und Igel", silkscreen edition, sheets drying.]]> image-id:203 <![CDATA[Poster.]]> image-id:202 <![CDATA[The poster.]]> image-id:201 <![CDATA["Privates Es", silkscreen edition, sheets drying.]]> image-id:200 <![CDATA[Detail: "Er sieht".]]> image-id:199 <![CDATA["Werkschau", Schaumbad - Freies Atelierhaus Graz, exhibition view, final preparations.]]> image-id:198 <![CDATA[Working on "Kiss my Ass Goodbye" for the exhibition "Parallele Welten", Landesbibliothek Steiermark.]]> image-id:197 <![CDATA[Helmut Kaplan having a talk at the opening.]]> image-id:196 <![CDATA[Setting up the exhibition, detail.]]> image-id:195 <![CDATA[Tonto avatar, representing Michael Jordan, Helmut Kaplan, Edda Strobl - but, who is who?]]> image-id:194 <![CDATA[Looking at explosions, drawings by Edda Strobl and Helmut Kaplan.]]> image-id:193 <![CDATA[2 pages of explosions by Michael Jordan.]]> image-id:192 <![CDATA[Tonto #30 - Kiss my Ass, Cover (drawings by Helmut Kaplan).]]> image-id:191 <![CDATA[Explosions by Andreas Heller and Karin Heide.]]> image-id:190 <![CDATA[Tonto#27- cover...]]> image-id:189 <![CDATA[Detail.]]> image-id:188 <![CDATA[Exhibition view of "Die wunderbare Welt der Pilze" in "...und es zog mich duch die Bilder", Landesgalerie Linz.]]> image-id:187 <![CDATA[...and pages.]]> image-id:186 <![CDATA[...Detail.]]> image-id:181 <![CDATA[...the "Wall of Explosions"...]]> image-id:180 <![CDATA[....]]> image-id:179 <![CDATA[Exhibition view...]]> image-id:178 <![CDATA[Exhibition view: entrance situation.]]> image-id:177 <![CDATA[25 Jahre Tonto: Existenz und Petitessen, kunstgalerie fürth.]]> image-id:176 <![CDATA[Tonto #23 - It shall be as it may, back and front cover,]]> image-id:175 <![CDATA[inner sleeve and mock title,]]> image-id:174 <![CDATA[pages.]]> image-id:173 <![CDATA[Tonto #24 Escape Reduce Forget]]> image-id:172 <![CDATA[...]]> image-id:171 <![CDATA[...]]> image-id:170 <![CDATA[.]]> image-id:169 <![CDATA[Schwammquartett]]> image-id:158 <![CDATA[.]]> image-id:156 <![CDATA[...]]> image-id:155 <![CDATA[...]]> image-id:154 <![CDATA[4-page-comic "Eiszeit"...]]> image-id:153 <![CDATA[Theater! - pile]]> image-id:152 <![CDATA[Theater! - How the books look like. In the center the cover of "die tagung der kommune"]]> image-id:151 <![CDATA[One-panel-comic "Crescendo in the Cadenza", origin: live drawing at a play by zweite liga für kunst und kultur.]]> image-id:150 <![CDATA[At the opening I talk about the different positions in the exhibition, here about "Tonto: Bohren in Welt" (Tonto: "Drilling into world")]]> image-id:147 <![CDATA[Exhibition view, left: "Das was bleibt" ("That what remains"), right: Michael Jordan "Can you cover this"]]> image-id:146 <![CDATA[Anja Korherr helped painting my contribution to the exhibition.]]> image-id:145 <![CDATA[Bohren und das was bleibt, Schaumbad - Freies Atelierhaus Graz: setting up the exhibition. Helmut Kaplan, Bernhard Raschl (in the front)]]> image-id:144 <![CDATA[.]]> image-id:143 <![CDATA[...]]> image-id:142 <![CDATA[...]]> image-id:141 <![CDATA[...]]> image-id:140 <![CDATA[Following, some pages out of the book...]]> image-id:139 <![CDATA[Piles of printed sheets, drying.]]> image-id:138 <![CDATA[Theatre protocol "chronik der vorbeilaufenden ereignisse". Martin Kollmann sending a print file to the risograph.]]> image-id:137 <![CDATA[Theatre protocol "der druckauftrag". Printing...]]> image-id:136 <![CDATA[...in Risograd. Lisi Pressl and me, Martin Kollman is taking the photo. It is summer, the barometer shows 38°C.]]> image-id:134 <![CDATA[.]]> image-id:132 <![CDATA[...]]> image-id:131 <![CDATA[...]]> image-id:130 <![CDATA[Following some pages out of the book...]]> image-id:129 <![CDATA[Assembling the book with Helmut Kaplan and Tonto in the Leitnergasse.]]> image-id:128 <![CDATA[.]]> image-id:127 <![CDATA[...]]> image-id:126 <![CDATA[...]]> image-id:125 <![CDATA[Working on the book "Theater!" in my studio]]> image-id:124 <![CDATA[the last kiss of the skunk (pig dog) - zweite liga für kunst und kultur, poster]]> image-id:123 <![CDATA[the weather is nice - zweite liga für kunst und kultur, flyer]]> image-id:122 <![CDATA[MATRYOSHKA EFFECT - IG Kultur, poster]]> image-id:121 <![CDATA[stand by your man - zweite liga für kunst und kultur, poster]]> image-id:120 <![CDATA[Slobodan Kaykut, 20 Interventions - poster]]> image-id:119 <![CDATA[das alex prinzip, zweite liga für kunst und kultur - flyer]]> image-id:118 <![CDATA[nix is fix, zweite liga für kunst und kultur - poster]]> image-id:117 <![CDATA["Das schönste Blumendorf", Installation view (photo: Alexandra Gschiel).]]> image-id:116 <![CDATA[First image screened in the performance DAS WAS BLEIBT, Steiermarkhaus, Bruxelles.]]> image-id:115 <![CDATA[...and the happening "Die Tagung der Kommune", Forum Stadtpark, 2012 - me, drawing, Karl Grünling and Gebhart Blazek listening.]]> image-id:114 <![CDATA[...]]> image-id:113 <![CDATA[Following , drawings out of "Die Tagung der Kommune"...]]> image-id:112 <![CDATA[.]]> image-id:111 <![CDATA[...]]> image-id:110 <![CDATA[Following, images out of "der druckauftrag"...]]> image-id:109 <![CDATA[Another drawing out of "chronik der vorbeilaufenden ereignisse".]]> image-id:108 <![CDATA[.]]> image-id:107 <![CDATA[...]]> image-id:106 <![CDATA[Following, some drawings out of the protocol "chronik der vorbeilaufenden ereignisse"...]]> image-id:105 <![CDATA[Another view of the screening.]]> image-id:104 <![CDATA[Iris Kasper, Elli Saubach and me performing. The props: whatever we found at the location.]]> image-id:103 <![CDATA[The screening.]]> image-id:102 <![CDATA[View of the setup.]]> image-id:101 <![CDATA[Final preparations for the performance.]]> image-id:100 <![CDATA[and this is the second one.]]> image-id:99 <![CDATA[page 8]]> image-id:97 <![CDATA[page 7]]> image-id:96 <![CDATA[Shortstory "Escape-Reduce-Forget", in the exhibition "ohne Start kein Ziel", kunsthaus muerz, page 5]]> image-id:95 <![CDATA[Gifted young people designing the boxes.]]> image-id:94 <![CDATA[...the workshop "Die Box und ihr Geheimnis"]]> image-id:93 <![CDATA[The boxes from..]]> image-id:92 <![CDATA[Exhibition view: behind the boxes Sabina Hörtner's work, left "Escape-Reduce-Forget".]]> image-id:91 <![CDATA[kunsthaus muerz, exhibition view: the boxes, seen in the front, are results from a workshop I led. (All photos by Sabina Hörtner)]]> image-id:90 <![CDATA[...in the background Renate Oblak]]> image-id:89 <![CDATA[Helmut Kaplan writing the credits of his drawing on the caption card.]]> image-id:87 <![CDATA[99 empty frames for 99 artists - filling the frames]]> image-id:86 <![CDATA["We are the 99%", Komikazen – Festival del fumetto di realtà, Ravenna, exhibition.]]> image-id:85 <![CDATA[My contribution.]]> image-id:84 <![CDATA[Ornament with two different sausage types]]> image-id:83 <![CDATA[Potrait of a mouse]]> image-id:82 <![CDATA[A new sausage arragement]]> image-id:81 <![CDATA[Arrangement after the first mouse visit]]> image-id:80 <![CDATA[Detail: Animal in its perfect form (Frankfurter on napkin "Homeland" and typical cardboard plate).]]> image-id:79 <![CDATA[Detail: Animal in form of a flower (sausage)]]> image-id:78 <![CDATA["All my Animals", installation (fur, sausages, sensor cameras) in "Am Südrand, Schaumbad - Freies Atelierhaus Graz.]]> image-id:77 <![CDATA[The mouse.]]> image-id:76 <![CDATA[Sammy in Fantasyland.]]> image-id:74 <![CDATA[One-page-comic "Depression 1930"]]> image-id:73 <![CDATA[Opening. with friends and collegues: Kaplan, Wolf, Strobl, Mahler, Musil, Vogel, Häussle.]]> image-id:72 <![CDATA[Exhibition of "Johnny, Cherries the Snake" at Kainettpassage.]]> image-id:71 <![CDATA[Some views...]]> image-id:70 <![CDATA[...]]> image-id:69 <![CDATA[.]]> image-id:68 <![CDATA[...the back cover.]]> image-id:67 <![CDATA[...]]> image-id:66 <![CDATA[...]]> image-id:65 <![CDATA[Some pages out of the book...]]> image-id:64 <![CDATA[Johnny, Cherries, the Snake, kabinett #32 - fron tcover.]]> image-id:63 <![CDATA[...for "A wall for Maria", Performance by Sámaheydi Sisters.]]> image-id:62 <![CDATA[Together with Karin Heide I designed the costumes...]]> image-id:61 <![CDATA[Christina Maria Lederhaas]]> image-id:60 <![CDATA[Veza Maria Fernandez Ramos]]> image-id:59 <![CDATA[A Wall for Maria, Sámaheydi Sisters - flyer]]> image-id:58 <![CDATA[Based on Patrick Swayze (working tiltle), zweite liga für kunst und kultur - flyer]]> image-id:57 <![CDATA[kramer gegen kramer, zweite liga für kunst und kultur, poster]]> image-id:51 <![CDATA[41 Meter Fluchtweg, Schaumbad - freies Atelierhaus, folder]]> image-id:50 <![CDATA[der druckauftrag, zweite liga für kunst und kultur, poster]]> image-id:49 <![CDATA[.]]> image-id:48 <![CDATA[...]]> image-id:47 <![CDATA[...]]> image-id:46 <![CDATA[...]]> image-id:45 <![CDATA[...]]> image-id:44 <![CDATA[6-page comic "Born" , words by Marco Fitzthum and zweite liga für kunst und kultur...]]> image-id:43 <![CDATA[.]]> image-id:42 <![CDATA[...]]> image-id:41 <![CDATA[The situation of pigs in some meat production plants, located in southern Austria (Styria)]]> image-id:40 <![CDATA[4 drawings "The rural area and its inhabitants" in Land - urban in Sicht at Die Mühle, Schwarzau.]]> image-id:39 <![CDATA[...]]> image-id:34 <![CDATA[.]]> image-id:33 <![CDATA[...]]> image-id:32 <![CDATA[...]]> image-id:31 <![CDATA[4-page comic "The Bunker - Tenderness with B", text Johannes Schrettle...]]> image-id:30 <![CDATA[... .]]> image-id:29 <![CDATA[2-page comic "Restupido"....]]> image-id:28 <![CDATA[... .]]> image-id:27 <![CDATA[2-page comic "A wie Amok"...]]> image-id:26 <![CDATA[See also the book Tonto #12 Nordpol.]]> image-id:18 <![CDATA[Prologue to Nordpol, Edda Strobl, Helmut Kaplan.]]> image-id:17 <![CDATA[... .]]> image-id:16 <![CDATA[...]]> image-id:15 <![CDATA[...]]> image-id:14 <![CDATA[4-page comic Shifting Sound ...]]> image-id:13 <![CDATA[Fame - Mike, the headless chicken.]]> image-id:12 <![CDATA[...]]> image-id:8 <![CDATA[...visitors playing...]]> image-id:7 <![CDATA[...and performing.]]> image-id:6 <![CDATA[Exhibition view...]]> image-id:5 <![CDATA[Berlin, Kolonie Wedding, Galerie Sumpfhahn.]]> image-id:4 <![CDATA[.]]> image-id:3 <![CDATA[...]]> image-id:2 <![CDATA["Marcia", prints, in the exhibition "Life Sorie(s), , Graz...]]> image-id:1