2016
07.23

REDUCE – ESCAPE – FORGET

contribution to the exhibition “Ohne Start kein Ziel” (without start no goal) at “kunsthaus muerz”, Mürzzuschlag, 2016, curated by Sabina Hörtner. The exhibition deals with different aspects of travelling.

Reduce – Escape – Forget is an 8 page comic, on sheets of 70 x 100 cm, about crossing the border from Mexico to Guatemala in 1991. Civil war was going on in Guatemala, but the protagonists had other problems…

Within the exhibition I did the workshop “The box and a secret” with gifted young people from the region.
more about the exhibition (in german): kunsthaus muerz

2016
03.17

DEPRESSION 1930

My contribution to the exhibition “Depression”, curated by Kabinett and shown at KabinettPASSAGE, MQ21, Vienna, 2016

2016
01.30

A WALL FOR MARIA

A dance-performance by Veza Maria Fernandez Ramos und Christina Maria Lederhaas (Sámaheydi Sisters), shown at the Kunsthaus Graz in January 2016. Costumes by Karin Heide and Edda Strobl.


Fotos: Gudrun Becker (performance)


Fotos: Clemens Nestroy (at the junkyard “Schrottwolf)

2016
01.15

FLYER/POSTER #2

Flyer for the performance and theatre group zweite liga für kunst und kultur (“Frei nach Patrick Swayze”, 2015), for the dancers Samaheydi Sisters (“A Wall for Maria”, 2016) and a poster for the composer Slobodan Kajkut (“20 Interventionen”, installation, 2016) – the fronts.

2015
12.03

JOHNNY, CHERRIES, THE SNAKE

Episode #3, in collaboration with Helmut Kaplan, is part of an ongoing story-collection about being on the road. Published as Kabinett-Heft #34, 2015.

Book-presentation and exhibition (2 paintings and a small b/w print in red light related to the story) at the KabinettPASSAGE, MQ21, Vienna on a cold evening in October, 2015.

2015
03.21

CRESCENDO IN DER KADENZ

A collage out of drawings, done at the play “KRAMER AGAINST KRAMER stand-up-comedy-for-the-coming-stand-up*”  by the theatre- and performancegroup “zweite liga für kunst und kultur”, 2014. A play about stay lying down or standing up.
(*stand up = aufstand. In german can be read as revolt.)

2014
11.22

ALLE MEINE TIERE

“All my Animals” was an installation in the exhibition “Am Südrand” (At The Southern Edge), Schaumbad – freies Atelierhaus for steirischer herbst, 2014.
The Schaumbad is located in the industrial area of southern Graz, the exhibition was about reasearching the area.

The installation ” All my Animals” was about wildlife in the exhibition space (a 1100m2 huge hall where a bottling plant once was situated) With the help of sausages and sensorcameras the nightlife of mice could be pictured.

2014
09.05

FLYER/POSTER #1

Flyer for the performance and theatre group “zweite liga für kunst und kultur” (Druckauftrag, 2013; Kramer gegen Kramer, 2014; both also as posters in a little different form… ) and for “Schaumbad – freies Ateliershaus” (41 Meter Fluchtweg, 2013) – the fronts.

2014
08.10

99 PERCENT

An exhibition with 99 artists dealing with the topic “We are the 99%”. At Komikazen – Festival del fumetto di realtà, 11.10.-13.10.2013, Ravenna, Italia. Curated by Elettra Stamboulis and Gianluca Costantini.

2013
06.07

THE BUNKER – Tenderness with “B”

The writer and performer Johannes Schrettle (zweite liga für kunst und kultur) sent me this text (english below):

Zärtlichkeit mit B
ein bunker, wo menschen versammelt sind, die nie mehr rauskommen. es schaut ein bisschen aus nach einem französischen film, ein paar obszöne details sind ständig im blickfeld. dann taucht auf einmal unter einer bettdecke ein kollektiv auf:
HEY! ICH HABE IN DEN 80ern SCHON MAL DARAN GEDACHT EINEN BAUM ZU PFLANZEN. HEUTE HABE ICH EIN UNTERNEHMEN. DER BUNKER IST MEINE ZIELGRUPPE MEIN PUBLIKUM UND MEINE GROSSE LIEBE. IRGENDWANN WERDE ICH WIEDER AUFTAUCHEN ABER DANN ALS ZÄRTLICHES MONSTER. IN DER KOMBÜSE. AM JAKOMINIPLATZ. IM BRUNNEN. AM ZENTRALFRIEDHOF. EIN PAAR SCHRÄGE SOUNDS.

Tenderness with B
A bunker, where people are gathered, who never will get out again. It looks a bit like in a french movie, all the time there are some obscene details in the fileld of vision. Suddently a collective emerges from under a bedspread:
“Hey! I have thought about planting a tree already in the 1980s. Today I have a business company. The bunker is my target audience my public and my great love. Eventually I will emerge again but then as a tender beast. In the galley. At the Jakomini square. In the fountain. At the central cemetary.” A few crooked sounds.